General changes: The first one went to flac, but usually poorly executed rock songs from the years 60/70s, where recording techniques strongly differ from today. To my surprise, the biggest change was a significant difference of noise in these songs. It really is a huge plus. Bass: Here, the changes are very clear. There is less bass but I like it because I have the impression that despite the less bass is much better quality. It is very well controlled. Incredibly fast and precise. Mids: The mids of the previous setup was already very good and slightly extended forward. The only change which hit my ears are better quality vocals. Treble: I have the impression that the changes in the higher tones are similar to those in mids. have a feeling smooth sound, while maintaining very good detail. Stage: It’s gently expanded, but it is very subtle change. Perhaps the DT150 can not have more scenes muster. Nevertheless that satisfies me.
The System
Listening with
- Inputs: PCI-e; microphone on the daughterboard
- Outputs: RCA; 6.35 mm headphone; coaxial; optical; 8-channel analogue on the daughterboard
- DAC / chipset: Wolfson WM8741; C-Media CM8888
- Other: 24-bit/192 kHz; 128 dB SNR on the WM8741 stereo path; stock opamp TI LM4562 (swappable); other analogue channels C-Media CMI9882A
Burson
- Supply voltage: ±5 V / 10 VDC to ±16 V / 32 VDC (absolute maximum)
- Gain-bandwidth product: 50 MHz (at 100 kHz)
- Dual or single: dual and single
- Package: 11 mm wide × 11 mm deep × 7.3 mm high
Also in the system
Specs from manufacturer data unless a source below says otherwise. “calc.” values are worked out from those figures (V = √(P × R); 110 dB SPL used as a loud reference level). Gear listed without specs is not in our spec library yet.
